The Dominos…

British Rocker Eric Clapton emulated American Rhythm and Blues to become the most commercially successful guitarist ever.

Now The Dominos, authentic American R&B players, offer their take on the music of Eric Clapton.

Randell Young | guitar, vocals
Holly Holt |
keys, vocals
Fred James |
bass, vocals
Raymond Genovese |

Randell Young

Randell Young began his professional career right out of high school playing initially in R&B clubs in his hometown of Washington, D.C. He has since gone on to work with numerous recording artists of note including: Canned Heat, Poncho Sanchez, Max Bennett, Mayuto Correa, Alphonse Mouzon, Shanica Knowles, David Garfield, Nicolette Larson, Tony Guerrero, Jeff Suttles, Billy Mitchell, John Bolivar, Mickey Champion, Rob Mullins, Nate Phillips, Dan St. Marseille, Reed Gratz, Tyrone Brunson, Melvin “Deacon” Jones, Harvey “Harmonica Fats” Blackston, Jeff “Skunk” Baxter (of Steely Dan), Nesbert “Stix” Hooper (of The Jazz Crusaders), Jerald and Julie Harris (of Slapbak), Margot Chapman (of The Starland Vocal Band) and Rusty Cox (of The Dazz Band).

Randell Young holds an honorary doctorate in music (D.Mus.) from City University Los Angeles and has written instructional articles for such publications as Jazz Review, Guitar Review, Just Jazz Guitar, Indie Music, GuitarNoise, Six String Soul, Future Music, Music Gear Review, Guitarist, InterMusic, Galaris and Jazz Guitar magazines. His piece entitled On Soloing is still archived by FenderForum as The Best Guide to Soloing I’ve Ever Read!

A former member of the house band for NBC’s The David Allen Grier Show, Young has also served as music director for B. B. King’s Hollywood Country All-Stars (house band for B. B. King’s Legend in the Making Country Star Talent Search). His composition Don’t Know How To Love You is featured on’s original Best of MP3 CD and in The Complete Idiot’s Guide to MP3: Music on the Internet (illustrated text with CD published by Alpha Books). He has also written and produced original music for film and television including the soundtrack for Beverly Skyline Media’s Zarbie and The Martians. As a solo artist he has opened for such luminaries as Larry Carlton, Etta James, Steve Lukather, The Fabulous Thunderbirds, Leon Russell, Canned Heat and John Mayall.

Randell Young was signed directly by Artie Mogull to produce 20/20: Bob Dylan Revisited, a tribute to the prolific songwriter set to feature guest vocal performances by 20 stars originally discovered by Mogull, the late former Chairman and CEO of United Artists renowned in the music industry for having signed Bob Dylan to his first publishing contract (while an executive at Warner Brothers) and for launching the careers of such artists as The Kingston Trio, The Band, The Beach Boys, The Electric Light Orchestra, Hootie and the Blowfish, Anne Murray, Laura Nyro, Richie Havens, Crystal Gayle, Olivia Newton-John, Helen Reddy, Gordon Lightfoot, John Denver, Kenny Rogers, Deep Purple, Lynyrd Skynyrd and the iconic folk trio Peter, Paul and Mary.

Though the original vision of 20/20: Bob Dylan Revisited was derailed by Mogull’s untimely and unexpected passing, the mutual respect shared by Young and Mogull had developed into a such a sincere friendship that, rather than pocket the remaining budget, Young completed the project as an homage to the man that, in the history of the music business, ranks second only to Clive Davis in terms of discovering new talent. Needless to say, Mogull never got to review the finished product but he did hear and comment on the first five tunes: “The tracks sound terrific!” was the message Artie left on Randell’s answering service. The Blues of Bobby Zimmerman (a collection of 11 Dylan tunes featuring Randell Young on guitar and vocals) and 20/20: Bob Dylan Revisited (the entire two-album project) are both in the can but remain unreleased.

Randell Young’s most recent projects include writing, producing and recording a trilogy of concept albums (Deo Juvante, A Rising Tide and Soiree at the Café Liberte) for Libertalia, a ten-piece ensemble performing all original material which can best be described as modern American Rhythm & Blues with elements of Jazz, Rock, Reggae and WorldBeat thematically aligned with the values of freedom and free enterprise, tolerance and respect for the rights of others and the dream of the creation of a new and truly free libertarian microstate, La République de Libertalia. Pre-Release (no CDs or videos) just free tracks available at SoundCloud, Libertalia has already attracted nearly a quarter of a million facebook fans.

Randell Young’s live performances have generated numerous and favorable reviews from a variety of sources. Los Angeles Times music critic Bill Kohlhaase credits Young with “a tight, cosmopolitan sound”. Author/columnist Alan Bock describes the guitarist as “genuinely accomplished and inventive… one of my favorite artists”. KSBR’s Infamous Aaron Blackwell assesses Randell Young as “a world-class blues master” while Orange County Register music critic Robert Kinsler touts Young as “a masterful blues player”.

Whether as a sideman, guest artist or featured performer, Randell Young emphasizes a groove-oriented presentation with due respect for the idiom yet still manages to bring something unique to the stage. As explained by Robert Kinsler, “Just as every great guitarist from Robert Johnson and B. B. King to Alvin Lee and Stevie Ray Vaughn has performed the blues with a distinctive style, so has Randell Young taken creative strides to cut his own turf”. Happening Magazine adds, “Randell Young’s formula calls for a clean sound built on genuine Blues rhythms backed up with a heavy dose of Soul”. No less an authority on the Los Angeles music scene than the late Laura Mae Gross, former owner and proprietor of the city’s oldest blues club, Babe’s and Ricky’s (established 1964), frequently boasted, “Randell is the best guitar player we got”.

Ironically and presciently, Randell Young had this to say way back in a 1993 interview with the LA Times, “You know how you hear a track without a guitar and you kind of fill it in? Stevie Ray Vaughn would have played it one way. Albert King would play another way and Albert Collins would play it yet another way. I generally hear it the way Clapton would play it.”

Randell Young’s original arrangement and recording of Layla

Allene Lewis’ review of Layla

Holly Holt

Holly Holt is an Austin, Texas native pianist, composer and educator. She graduated with a Bachelors of Music in Jazz Piano Performance from the University of North Texas in 2020. At the University of North Texas she studied with Jazz pianist Dave Meder (a pupil of Fred Hersch and Kenny Barron), Classical pianist Steve Harlos, French violinist Scott Tixier and bassist Lynn Seaton. She has since gone on to work with legendary rockabilly guitarist Danny B. Harvey and Rock n’ Roll Hall of Fame drummer Clem Burke (from Blondie).

Holly Holt studied with classical pianist phenom Dr. Gustavo Bianchi and won the 2014 Texas State University Interscholastic League Outstanding Performer award. In high school, her interests expanded from Classical piano into playing the Blues and Rock n’ Roll which ultimately led to studying Jazz at the University of North Texas. In her final year at the University of North Texas, Holly Holt was elected President of the Jazz and Gender Equity Initiative where she organized weekly events to bring awareness to social injustices and inequality in the music industry.

“I have long been a huge fan of the Blues in general and Eric Clapton in particular. Being the newest member of The Dominos, I appreciate the range and depth of the tunes these guys have selected and the concept of presenting them with an authentic American R&B flavor which, of course, opens up a lot of creative possibilities for the piano and organ parts.” — Holly Holt.

Fred James

Fred James has worked with Jelani Jones, Julie Harris, Byron Bordeaux, Oliver Scott, Yolanda Adams and Cory Briggs. He credits fellow Kansas City natives Count Basie and Charlie Parker as well as Earth Wind and Fire, Cameo, Babyface and especially Marcus Miller among his primary influences.

Fred James spent two years on the practice squad of the Atlanta Falcons and before that was an All American quarterback. He sees a lot of similarities between what it takes to create a tight musical ensemble and a successful football team, “Both require a sustained, focused effort and in both cases you are working to support a group endeavor while at the same time striving to achieve your highest level as a player.”

Fred James has been active for many years in the music ministry of the Second Baptist Church of Santa Ana under the direction of Maestro Dwayne Roberts. His original sound recording and music video of his tune Shine Your Light recently garnered over 150,000 YouTube views. You can check it our here… Shine Your Light.

“Before I auditioned for The Dominos, I asked Randell how he felt about maybe adding a little funk to update some of the original bass lines. When he said, ‘Absolutely, that is exactly what we want, an American R&B take on Eric Clapton’s take on American R&B’, my mind starting racing with all sort of possibilities.” — Fred James

Raymond Genovese

Raymond Genovese enjoyed success early in his career as his group Smoke was discovered and produced by founding member of the Jazz Crusaders Wayne Henderson. Smoke’s debut album on Casablanca Records received major airplay and enabled the group to tour extensively throughout the United States, Canada, Europe and Japan. Raymond Genovese has since gone on to work with numerous recording artists of note including Donna Summer, Billy Mitchell, The Four Freshmen, Beachfront Property, Tom Warrington, Dave Carpenter, Max Bennett, Robert Conti, John Anello, Tom Saviano and Ross Thomkins (of the Tonight Show Band). He has opened for such luminaries as Duke Ellington, The Righteous Brothers, Flash Cadillac, Larry Carlton, Error Garner and Sammy Davis, Jr.

Randell Young was introduced to Raymond Genovese by bassist Max Bennett (Peggy Lee, Ella Fitzgerald, The LA Express, Joni Mitchell) when he was asked to sub in (at the very last minute) for a well known artist who panicked when he found out the guitarist he was opening for was going to be Larry Carlton. Undaunted in spite of a precarious lack of time to prepare, Randell, Raymond, Max (and company) had no problem warming up Larry’s audience. When Randell heard Raymond was available, he invited him to join The Dominos, no audition needed.